She Never Rode That Trishaw Again tells the story of Loo Ngan Yue, a woman widowed by the British war against anti-colonial forces in Malaya — a 12-year conflict that became a template for other counter-insurgency campaigns around the world, including Vietnam, Afghanistan and Iraq. Artist and author Sim Chi Yin juxtaposes vacation photographs of Loo — her late paternal grandmother — with oral history excerpts on the family’s trauma. This intimate volume, using vernacular photographs to create a filmic experience, takes us inside the emotional world of a family shattered by geopolitics. It is the first in a trilogy of books Sim is making around the “Malayan Emergency” of 1948 to 1960, and its colonial and post-colonial representations, painting a picture of anguish, loss and, amnesia — an allegory for Southeast Asia’s lingering traumas as a Cold War battleground.
Format: 140 x 200mm, 144 pages
ISBN: 978-981-18-1144-9
Language: English and Chinese text
Publication date: June 2021
Self-published Edition of 600
Photography and text: Sim Chi Yin
Concept and design: Teun van der Heijden / Heijdens Karwei
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[UNSIGNED]
Price: €49 (SGD $79) + shipping (€2.40 – Singapore / €7.80 – Asia, Europe and Rest of the world)
[SIGNED, Limited Edition of 200]
Price: €59 (SGD $94) + shipping (€7.80 – Singapore, Asia, Europe and Rest of the world)
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I’m grateful to curator Matthew Lawson Garrett and the team at Datsuijo independent art space for mounting this solo exhibition of my work in Tokyo, transforming my first artist book into a physical installation (and with translation into Japanese)! The book, “She Never Rode That Trishaw Again” (https://chiyinsim.com/she-never-rode-that-trishaw-again/), is the…
Installation views of my new solo exhibition in Berlin on my long, on-going project re-narrating the anti-colonial war in British Malaya — a story that is as small and as large as one can make it, for all the resonances across the decolonisation wars in the “Third World” at the…
I first became interested in Magic Lantern slides in learning through @gabbymoser’s scholarship about how they were a colonial pedagogical tool — specifically, they were used in a series of eight lectures cast as geography lessons to teach pupils around the British empire about its colonies. I became interested in…