Sim Chi Yin
b.1978, Singapore
Lives and works in New York
Education
Since 2018 PhD researcher, practice-based PhD, War Studies, King’s College London
2001 MSc in History of International Relations (distinction), London School of Economics and Political Science, University of London
2000 BA in History (first class honours), London School of Economics and Political Science
Solo exhibitions
2024 2022 |
The Mountain That Hid, Datsuijo, Tokyo, Japan One Day We’ll Understand, Art Basel Hong Kong |
2021 |
One Day We’ll Understand, Zilberman Gallery Berlin, Germany |
2021 |
One Day We’ll Understand, Interventions, Les Rencontres d’Arles, France |
2021 |
Most People Were Silent, Le Space Gallery, Melbourne Australia |
2020 |
Shifting Sands & Most People Were Silent, Jimei X Arles International Photo Festival, Xiamen, China |
2020 |
One Day We’ll Understand, Landskrona Konsthall, Sweden |
2019 |
One Day We’ll Understand, Hanart TZ Gallery, Hong Kong |
2018 |
Most People Were Silent, Institute of Contemporary Arts Singapore |
2018 |
Fallout, Cortona On The Move Photo Festival, Italy |
2017 |
Fallout, Nobel Peace Centre, Oslo, Norway |
Selected group exhibitions
2024 2023 2023 |
Requiem, in Disobedience Archive, 60th Venice Biennale The Mountain That Hid, The Suitcase Is A Little Bit Rotten in Double Exposure, Camera Austria, Graz Shifting Sands, in Re/Sisters, Barbican, London |
2023 |
Shifting Sands, in Indigo Waves and Other Stories, Gropius Bau Berlin |
2023 2023 |
Shifting Sands, in SAND, Museum Sinclair Haus, Bad Homburg Shifting Sands, in At The Edge of the Land, Hayy Jameel, Jeddah |
2023 |
Shifting Sands, in Stories of Stone, L’ Académie de France à Rome – Villa Médicis, Rome |
2023 |
The Mountain That Hid, The Suitcase Is A Little Bit Rotten, in Transit, Zilberman Gallery Berlin |
2023 |
The Mountain That Hid, The Suitcase Is A Little Bit Rotten, in Whitney Museum Independent Study Program |
2023 |
Most People Were Silent, in “War is over! Peace has not begun yet”, Fondazione Imago Mundi, Treviso |
2022 |
One Day We’ll Understand, Istanbul Biennale |
2022 |
To A Faraway Friend: Beyond Afro-Southeast Asian Affinities, ASEAN Culture House, Busan, South Korea |
2021 |
Cast But One Shadow: Afro-Southeast Asian Affinities, Jorge B. Vargas Museum, the Philippines |
2021 |
Devour the Land, Harvard Art Museums, United States |
2021 |
Shifting Sands, Thailand Biennale, Korat |
2021 |
One Day We’ll Understand, Guangzhou Triennial, China |
2021 |
Rediscovery, MAB Modern Studio, Shanghai |
2021 |
The Lie Of The Land, FOST Gallery, Singapore |
2021 |
What Happened Here?, Appetite, Singapore |
2020 |
Correspondences – 70 years: Magnum and Picto 1950 – 2020, Richard Taittinger Gallery, New York |
2019 |
Most People Were Silent, Aesthetica Art Prize, York Art Gallery |
2018 |
One Day We’ll Understand, Framer Framed, Amsterdam |
2018 |
One Day We’ll Understand, Jendela gallery, Esplanade, Singapore |
2017 |
The Rat Tribe, Istanbul Biennale |
2017 |
The Rat Tribe, Gyeonggi Museum of Modern Art, Seoul |
2016 |
Dying To Breathe, Southeastern Center for Contemporary Art, North Carolina |
2016 |
Dying To Breathe, Objectifs, Singapore |
2016 |
The Rat Tribe, Arko Art Center, Seoul |
2015 |
Burmese Spring, Annenberg Space for Photography, Los Angeles |
2012 |
The Rat Tribe, PhotoVille, New York |
2012 |
Burmese Spring, Nobel Peace Center, Oslo |
2008 |
The Workers From Samsui, The Necessary Stage Fringe Festival, Singapore |
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Published books
2021 She Never Rode That Trishaw Again
2021 One Day We’ll Understand, exhibition catalogue
Selected performance
2024 One Day We’ll Understand, Esplanade Singapore, world premiere
Selected performance lectures
2022 |
One Day We’ll Understand, Asia Art Archive in America, New York |
2019 |
One Day We’ll Understand, Singapore International Festival of the Arts |
2019 |
One Day We’ll Understand, Attenborough Centre for the Creative Arts, Brighton |
2018 |
One Day We’ll Understand, The New School, New York |
Selected awards
2024 Sovereign Art Prize, shortlist, Hong Kong
2020 |
Discovery Award, Jimei x Arles International Photo Festival, Xiamen, China |
2020 |
Finalist, Tim Hetherington Visionary award |
2019 |
Aesthetica Art Prize, shortlist |
2018 |
Chris Hondros Award |
2017 |
Asia 21 Young Leader |
2016 |
Prix Pictet, nominated |
2015 |
CINE Golden Eagle Awards, short documentary |
2015 |
Prix Pictet, nominated |
2014 |
Her World “Young Woman Achiever of the Year” |
2014 |
British Journal of Photography, “Ones to Watch” |
2013 |
W. Eugene Smith Grant for Humanistic Photography, finalist |
2013 |
ICON de Martell Cordon Bleu Awards, Discernment Award and People’s Choice award |
2013 |
Photo District News, PDN 30 |
2011 |
Santa Fe Prize, nominated |
Selected collections Harvard Art Museums The J. Paul Getty Museum M+ Museum
Singapore Art Museum National Museum Singapore Open Society Foundations Private collections
Commissions
2022 |
Autograph London and Bagri Foundation, Critical Times: Dialogues in Contemporary Photography |
2022 |
Thyssen-Bornemisza Art Contemporary (TBA21) video commission for St_age |
2018 |
Land Transport Authority Singapore, Art in Transit public art commission |
2017 |
Nobel Peace Prize exhibition commission, Oslo |
Selected residencies, fellowships, scholarships, lectureships 2022-3 Whitney Independent Study programme (studio track) 2021 Zilberman Artist-in-Residence programme
2020 |
Centre for Contemporary Art Singapore residency |
2018 |
Associate lecturer, University of the Arts London, London College Of Communication, teaching on MA |
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Photography and the “Contemporary Documentary” unit on the BA programme |
2018 |
Practice-based doctoral research scholarship, King’s College London |
2017 |
Docking Station residency, Amsterdam |
2010 |
Magnum Foundation Human Rights and Photography fellowship, New York University |
Selected talks
2023 |
Indigo Waves and Other Stories, Gropius Bau, Berlin |
2023 |
Time Travelers: When Artists Remix the Past to Reframe the Present, Art Basel Hong Kong, Conversations |
2022 |
Memory and Materiality in the photo book, International Center for Photography, New York |
2019 |
Shifting Sands, Barbican Centre / Magnum Photos, London |
2019 |
Ethics and Contemporary Image-making, Tate Britain, study day lead, London |
2018 |
Fallout, Magnum Foundation, New York |
2018 |
Fallout, New York University Shanghai |
2015 |
Facebook Asia-Pacific, Women’s Leadership Day, closing speaker |
Selected bibliography
Masters, H.G., Disobedient To History, Interview with Sim Chi Yin, Art Asia Pacific, 2 Jan 2024, https://artasiapacific.com/issue/new-york-disobedient-to-history-interview-with-sim-chi-yin
Aw, Tash, Personal Histories, The New York Review of Books, 11 May 2023, https://www.nybooks.com/articles/ 2023/05/11/personal-histories-sim-chi-yin/
Aw, Tash, Writing Into Silence, The New York Review of Books, 13 May 2023, https://www.nybooks.com/online/2023/05/13/writing-into-silence-tash-aw/
Chu, Chloe, She Never Rode That Trishaw Again, Art Asia Pacific, July/August 2022
Hattam, Jennifer, Photographing History’s Silences and Gaps, Hyperallergic, 25 October 2022, https:// hyperallergic.com/772131/photographing-historys-silences-and-gaps/
Aima, Rahel, The Low-Maintenance Languor of the 17th Istanbul Biennial, Frieze Magazine, November 2022, https:// www.frieze.com/article/17th-istanbul-biennial
Sim Chi Yin and Maaza Mengiste: Intervening in Colonial Archives, Ocula, December 2021, https://ocula.com/ magazine/conversations/sim-chi-yin-maaza-mengiste/
I-shan, Sam: Sim Chi Yin at Les Rencontres d’Arles, October 2021, https://youtu.be/840HX8B09rg
Han, Christine: Singaporean Artists Consider the Lie of the Land, Ocula, September 2021, https://ocula.com/ magazine/insights/the-lie-of-the-land-in-singapore/
Houghton, Max: Emerging in Fragments: Sim Chi Yin’s ‘One Day We’ll Understand’, magnumphotos.com, July 2021, https://www.magnumphotos.com/arts-culture/emerging-fragments-sim-chi-yin-one-day-well-understand/
Chakanetsa, Kim: My Family’s Hidden HIstory, BBC World Service, The Conversation, 1 April 2019, https:// www.bbc.co.uk/programmes/w3csynhz
Tribillon, Justinien: A Mirage of Luxury Built on Sand. Magnum Photos, March 2019, https:// www.magnumphotos.com/newsroom/environment/sim-chi-yin-a-mirage-of-luxury-built-on-sand/
Tribillon, Justinien: Shifting Sands, Migrant Journal, issue 5, November 2018, https://migrantjournal.com/products/ pre-order-migrant-journal-no-5-micro-odysseys
Kay Min, Soh: Most People Were Silent, Asian Nobel Peace Prize photographer Sim Chi Yin at ICA Singapore, Art Radar Journal, 3 October 2018, http://artradarjournal.com/2018/10/03/asian-nobel-peace-prize-photographer-sim-chi- yin-at-ica-singapore/
Kiu, Joella Qingyi: Sim Chi Yin on the place of facts in making art, experimentation and the power of stories, Object Lessons Space, September 2018, https://objectlessons.space/posts/2018/sim-chi-yin
Bayley, Bruno: Magnum Nominee Sim Chi Yin Waited Years to be Able to Commit to Photography, Magnum Photos, July 2018, https://www.magnumphotos.com/theory-and-practice/magnum-nominee-sim-chi-yin-waited-years-to- be-able-to-commit-to-photography/
Toh, Wen Li: Nobel Peace Prize Photographer On a Roll, The Straits Times, 30 July 2018, https:// www.straitstimes.com/lifestyle/arts/nobel-peace-prize-photographer-on-a-roll
Seymour, Tom: Sim Chi Yin Investigates the Fallout, British Journal of Photography, issue 7873, July 2018, p 38–49, https://www.bjp-online.com/2018/06/sim-chi-yin/
Smit, Gareth: Photos of Nuclear Landscapes That Are Meant to Disorient, The New Yorker, 15 May 2018, https:// www.newyorker.com/culture/culture-desk/photos-of-nuclear-landscapes-that-are-meant-to-disorient
Cornet, Laurence, Sim Chi-Yin : Fallout, l’exposition du Prix Nobel de la paix, L’Œil de la Photographie, March 2018, https://loeildelaphotographie.com/en/sim-chi-yins-fallout-a-nobel-peace-prize-exhibition/
Leyl, Sharanjit, Capturing Nuclear War, BBC Newsday, 19 January 2018, http://chiyinsim.com/bbc-fallout/
Mclean, Matthew: 15th Istanbul Biennial, review, Frieze Magazine, issue 192, January–February 2018, https://frieze.com/article/15th-istanbul-biennial-0
Haydaroglu, Mine: the 15th Istanbul Biennial, review, Artforum Magazine, December 2017 issue, https:// www.artforum.com/print/reviews/201710/the-15th-istanbul-biennial-72471
Lu Stout, Kristie, Photographer Sheds Light on Beijing’s “Rat Tribe”, CNN, 18 February 2015, https://edition.cnn.com/ videos/tv/2015/02/18/intv-lu-stout-sim-chi-yin-china-rat-tribe.cnn