CV

Sim Chi Yin

b.1978, Singapore

Lives and works in New York

Education

Since 2018      PhD researcher, practice-based PhD, War Studies, King’s College London

2001              MSc in History of International Relations (distinction), London School of Economics and Political Science, University of London

2000              BA in History (first class honours), London School of Economics and Political Science

 

Solo exhibitions

2024

 2022

The Mountain That Hid, Datsuijo, Tokyo, Japan

One Day We’ll Understand, Art Basel Hong Kong

2021

One Day We’ll Understand, Zilberman Gallery Berlin, Germany

2021

One Day We’ll Understand, Interventions, Les Rencontres d’Arles, France

2021

Most People Were Silent, Le Space Gallery, Melbourne Australia

2020

Shifting Sands & Most People Were Silent, Jimei X Arles International Photo Festival, Xiamen, China

2020

One Day We’ll Understand, Landskrona Konsthall, Sweden

2019

One Day We’ll Understand, Hanart TZ Gallery, Hong Kong

2018

Most People Were Silent, Institute of Contemporary Arts Singapore

2018

Fallout, Cortona On The Move Photo Festival, Italy

2017

Fallout, Nobel Peace Centre, Oslo, Norway

 

Selected group exhibitions

2024

2023

2023

 Requiem, in Disobedience Archive, 60th Venice Biennale

The Mountain That Hid, The Suitcase Is A Little Bit Rotten in Double Exposure, Camera Austria, Graz

Shifting Sands, in Re/Sisters, Barbican, London

2023

Shifting Sands, in Indigo Waves and Other Stories, Gropius Bau Berlin

2023

2023

Shifting Sands, in SAND, Museum Sinclair Haus, Bad Homburg

Shifting Sands, in At The Edge of the Land, Hayy Jameel, Jeddah 

 2023

   Shifting Sands, in Stories of Stone, L’ Académie de France à Rome – Villa Médicis, Rome

2023

The Mountain That Hid, The Suitcase Is A Little Bit Rotten, in Transit, Zilberman Gallery Berlin

2023

The Mountain That Hid, The Suitcase Is A Little Bit Rotten, in Whitney Museum Independent Study Program

2023

Most People Were Silent, in “War is over! Peace has not begun yet”, Fondazione Imago Mundi, Treviso

2022

One Day We’ll Understand, Istanbul Biennale

2022

To A Faraway Friend: Beyond Afro-Southeast Asian Affinities, ASEAN Culture House, Busan, South Korea

2021

Cast But One Shadow: Afro-Southeast Asian Affinities, Jorge B. Vargas Museum, the Philippines

2021

Devour the Land, Harvard Art Museums, United States

2021

Shifting Sands, Thailand Biennale, Korat

2021

One Day We’ll Understand, Guangzhou Triennial, China

2021

Rediscovery, MAB Modern Studio, Shanghai

2021

The Lie Of The Land, FOST Gallery, Singapore

2021

What Happened Here?, Appetite, Singapore

2020

Correspondences – 70 years: Magnum and Picto 1950 – 2020, Richard Taittinger Gallery, New York

2019

Most People Were Silent, Aesthetica Art Prize, York Art Gallery

2018

One Day We’ll Understand, Framer Framed, Amsterdam

2018

One Day We’ll Understand, Jendela gallery, Esplanade, Singapore

2017

The Rat Tribe, Istanbul Biennale

2017

The Rat Tribe, Gyeonggi Museum of Modern Art, Seoul

2016

Dying To Breathe, Southeastern Center for Contemporary Art, North Carolina

 

 2016

   Dying To Breathe, Objectifs, Singapore

2016

The Rat Tribe, Arko Art Center, Seoul

2015

Burmese Spring, Annenberg Space for Photography, Los Angeles

2012

The Rat Tribe, PhotoVille, New York

2012

Burmese Spring, Nobel Peace Center, Oslo

2008

The Workers From Samsui, The Necessary Stage Fringe Festival, Singapore

 

 

 

 

 

   Published books

2021 She Never Rode That Trishaw Again

2021 One Day We’ll Understand, exhibition catalogue

 

   Selected performance

   2024      One Day We’ll Understand, Esplanade Singapore, world premiere            

 

Selected performance lectures

 

2022

One Day We’ll Understand, Asia Art Archive in America, New York

2019

One Day We’ll Understand, Singapore International Festival of the Arts

2019

One Day We’ll Understand, Attenborough Centre for the Creative Arts, Brighton

2018

One Day We’ll Understand, The New School, New York

 

Selected awards

2024     Sovereign Art Prize, shortlist, Hong Kong

 

2020

Discovery Award, Jimei x Arles International Photo Festival, Xiamen, China

2020

Finalist, Tim Hetherington Visionary award

2019

Aesthetica Art Prize, shortlist

2018

Chris Hondros Award

2017

Asia 21 Young Leader

2016

Prix Pictet, nominated

2015

CINE Golden Eagle Awards, short documentary

2015

Prix Pictet, nominated

2014

Her World “Young Woman Achiever of the Year”

2014

British Journal of Photography, “Ones to Watch”

2013

W. Eugene Smith Grant for Humanistic Photography, finalist

2013

ICON de Martell Cordon Bleu Awards, Discernment Award and People’s Choice award

2013

Photo District News, PDN 30

2011

Santa Fe Prize, nominated

 

Selected collections Harvard Art Museums The J. Paul Getty Museum M+ Museum

Singapore Art Museum National Museum Singapore Open Society Foundations Private collections

 

Commissions

 

2022

Autograph London and Bagri Foundation, Critical Times: Dialogues in Contemporary Photography

2022

Thyssen-Bornemisza Art Contemporary (TBA21) video commission for St_age

2018

Land Transport Authority Singapore, Art in Transit public art commission

2017

Nobel Peace Prize exhibition commission, Oslo

 

Selected residencies, fellowships, scholarships, lectureships 2022-3 Whitney Independent Study programme (studio track) 2021       Zilberman Artist-in-Residence programme

 

 

 2020

Centre for Contemporary Art Singapore residency

2018

Associate lecturer, University of the Arts London, London College Of Communication, teaching on MA

 

Photography and the “Contemporary Documentary” unit on the BA programme

2018

Practice-based doctoral research scholarship, King’s College London

2017

Docking Station residency, Amsterdam

2010

Magnum Foundation Human Rights and Photography fellowship, New York University

 

Selected talks

 

2023

Indigo Waves and Other Stories, Gropius Bau, Berlin

2023

Time Travelers: When Artists Remix the Past to Reframe the Present, Art Basel Hong Kong, Conversations

2022

Memory and Materiality in the photo book, International Center for Photography, New York

2019

Shifting Sands, Barbican Centre / Magnum Photos, London

2019

Ethics and Contemporary Image-making, Tate Britain, study day lead, London

2018

Fallout, Magnum Foundation, New York

2018

Fallout, New York University Shanghai

2015

Facebook Asia-Pacific, Women’s Leadership Day, closing speaker

 

Selected bibliography

Masters, H.G., Disobedient To History, Interview with Sim Chi Yin, Art Asia Pacific, 2 Jan 2024, https://artasiapacific.com/issue/new-york-disobedient-to-history-interview-with-sim-chi-yin

Aw, Tash, Personal Histories, The New York Review of Books, 11 May 2023, https://www.nybooks.com/articles/ 2023/05/11/personal-histories-sim-chi-yin/

 

Aw, Tash, Writing Into Silence, The New York Review of Books, 13 May 2023, https://www.nybooks.com/online/2023/05/13/writing-into-silence-tash-aw/

Chu, Chloe, She Never Rode That Trishaw Again, Art Asia Pacific, July/August 2022

Hattam, Jennifer, Photographing History’s Silences and Gaps, Hyperallergic, 25 October 2022, https:// hyperallergic.com/772131/photographing-historys-silences-and-gaps/

Aima, Rahel, The Low-Maintenance Languor of the 17th Istanbul Biennial, Frieze Magazine, November 2022, https:// www.frieze.com/article/17th-istanbul-biennial

Sim Chi Yin and Maaza Mengiste: Intervening in Colonial Archives, Ocula, December 2021, https://ocula.com/ magazine/conversations/sim-chi-yin-maaza-mengiste/

 

I-shan, Sam: Sim Chi Yin at Les Rencontres d’Arles, October 2021, https://youtu.be/840HX8B09rg

 

Han, Christine: Singaporean Artists Consider the Lie of the Land, Ocula, September 2021, https://ocula.com/ magazine/insights/the-lie-of-the-land-in-singapore/

 

Houghton, Max: Emerging in Fragments: Sim Chi Yin’s ‘One Day We’ll Understand’, magnumphotos.com, July 2021, https://www.magnumphotos.com/arts-culture/emerging-fragments-sim-chi-yin-one-day-well-understand/

 

Chakanetsa, Kim: My Family’s Hidden HIstory, BBC World Service, The Conversation, 1 April 2019, https:// www.bbc.co.uk/programmes/w3csynhz

 

Tribillon, Justinien: A Mirage of Luxury Built on Sand. Magnum Photos, March 2019, https:// www.magnumphotos.com/newsroom/environment/sim-chi-yin-a-mirage-of-luxury-built-on-sand/

 

Tribillon, Justinien: Shifting Sands, Migrant Journal, issue 5, November 2018, https://migrantjournal.com/products/ pre-order-migrant-journal-no-5-micro-odysseys

 

Kay Min, Soh: Most People Were Silent, Asian Nobel Peace Prize photographer Sim Chi Yin at ICA Singapore, Art Radar Journal, 3 October 2018, http://artradarjournal.com/2018/10/03/asian-nobel-peace-prize-photographer-sim-chi- yin-at-ica-singapore/

 

Kiu, Joella Qingyi: Sim Chi Yin on the place of facts in making art, experimentation and the power of stories, Object Lessons Space, September 2018, https://objectlessons.space/posts/2018/sim-chi-yin

 

Bayley, Bruno: Magnum Nominee Sim Chi Yin Waited Years to be Able to Commit to Photography, Magnum Photos, July 2018, https://www.magnumphotos.com/theory-and-practice/magnum-nominee-sim-chi-yin-waited-years-to- be-able-to-commit-to-photography/

 

Toh, Wen Li: Nobel Peace Prize Photographer On a Roll, The Straits Times, 30 July 2018, https:// www.straitstimes.com/lifestyle/arts/nobel-peace-prize-photographer-on-a-roll

 

Seymour, Tom: Sim Chi Yin Investigates the Fallout, British Journal of Photography, issue 7873, July 2018, p 38–49, https://www.bjp-online.com/2018/06/sim-chi-yin/

 

Smit, Gareth: Photos of Nuclear Landscapes That Are Meant to Disorient, The New Yorker, 15 May 2018, https:// www.newyorker.com/culture/culture-desk/photos-of-nuclear-landscapes-that-are-meant-to-disorient

 

Cornet, Laurence, Sim Chi-Yin : Fallout, l’exposition du Prix Nobel de la paix, L’Œil de la Photographie, March 2018, https://loeildelaphotographie.com/en/sim-chi-yins-fallout-a-nobel-peace-prize-exhibition/

 

Leyl, Sharanjit, Capturing Nuclear War, BBC Newsday, 19 January 2018, http://chiyinsim.com/bbc-fallout/

 

Mclean, Matthew: 15th Istanbul Biennial, review, Frieze Magazine, issue 192, January–February 2018, https://frieze.com/article/15th-istanbul-biennial-0

 

Haydaroglu, Mine: the 15th Istanbul Biennial, review, Artforum Magazine, December 2017 issue, https:// www.artforum.com/print/reviews/201710/the-15th-istanbul-biennial-72471

 

Lu Stout, Kristie, Photographer Sheds Light on Beijing’s “Rat Tribe”, CNN, 18 February 2015, https://edition.cnn.com/ videos/tv/2015/02/18/intv-lu-stout-sim-chi-yin-china-rat-tribe.cnn