I’m excited to be showing ten glass works and a two-channel video installation at the Haus der Kulturen der Welt (House of World Cultures) in Berlin, in a group exhibition “Forgive Us Our Trespasses”, till 8 December 2024. It is the first time I have been able to show a whole series of glass plates…
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My video “Requiem” is showing in the “Disobedience Archive” group exhibition, part of the main show at the 60th Venice Biennale (20 April – 24 Nov 2024). Curated by Marco Scotini, assistant curator Arnold Braho. Requiem, 2017 from “One Day We’ll Understand”, 2015-on-going Single-channel video and sound installation, 16:9, sound, colour Duration: 06:08 mins Requiem…
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My glass works from “The Suitcase Is A Little Bit Rotten” and the two-channel video “The Mountain That Hid” are in the group exhibition “Nomadic”, curated by Dr. Vennes Cheng, at the The Jim Thompson Art Center in Bangkok. It opened on 21 March and is on till 2 June 2024. In these lovely installation…
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I’m grateful to curator Matthew Lawson Garrett and the team at Datsuijo independent art space for mounting this solo exhibition of my work in Tokyo, transforming my first artist book into a physical installation (and with translation into Japanese)! The book, “She Never Rode That Trishaw Again” (https://chiyinsim.com/she-never-rode-that-trishaw-again/), is the first of possibly four I’m…
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My series of glass works The Suitcase Is A Little Bit Rotten and two-channel film The Mountain That Hid are in a group exhibition “Double Exposure” at Camera Austria in Graz. Curatorial text by Anna Voswinckel: The examination of the complex, transnational political entanglements of colonialism and its traumatic effects on (family) biographies forms the starting…
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I first became interested in Magic Lantern slides in learning through @gabbymoser’s scholarship about how they were a colonial pedagogical tool — specifically, they were used in a series of eight lectures cast as geography lessons to teach pupils around the British empire about its colonies. I became interested in what was inscribed in those…
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“The Suitcase Is A Little Bit Rotten”, drawn from a series of 40 glass slides , and “The Mountain That Hid”, a two-channel video work, are on view at Zilberman Gallery, Berlin, in the group show “Transit”. Zilberman | Berlin is delighted to announce the opening of its new space in Berlin’s Schlüterstraße 45 with…
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An installation of photographic prints and a newly-created VR piece, ‘The Garden Of No Return”, from my “Shifting Sands” project is on view at the Gropius Bau Berlin till August 2023. Indigo Waves and Other Stories Re-Navigating the Afrasian Sea and Notions of Diaspora 6 April to 13 August 2023 Taking the stories and histories…
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Installation views of my new solo exhibition in Berlin on my long, on-going project re-narrating the anti-colonial war in British Malaya — a story that is as small and as large as one can make it, for all the resonances across the decolonisation wars in the “Third World” at the time. A period of history…
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A solo exhibition of my new work “Interventions”, part of my broader “One Day We’ll Understand” project, opened 4 July 2021 at the Les Rencontres d’Arles. Curated by Sam I-shan. The exhibition is installed in the Abbaye de Montmajour, a Benedictine monastery from the 10th century. https://www.rencontres-arles.com/en/expositions/view/1032/sim-chi-yin A review essay on the show, by British…
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Grazie to these two inspiring women who made possible my exhibition at Cortona On The Move of “Fallout”, the project on nuclear weapons originally commissioned by the Nobels Fredssenter | Nobel Peace Center: festival curator Arianna Rinaldo, and Nobel Peace Centre exhibitions director Liv Astrid Sverdrup!! The diptychs, video installation and singles were installed in what used to be a…
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SIM CHI YIN: MOST PEOPLE WERE SILENT Photographs, video and audio installation, various dimensions, 2018. Institute of Contemporary Arts Singapore Earl Lu Gallery LASALLE College of the Arts 21 July – 10 October 2018 Curator Caterina Riva’s text “Most People Were Silent” is an exhibition composed of photographs taken in the vicinity of nuclear sites…
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